About Allison

Allison teamed up with John Loder as the very first Southern employee back in 1985 when they had the idea of starting up a record distribution company. Prior to that she published a fanzine (Savage Pink), played in bands, promoted shows, ran a venue (for about a week before the mayor shut it down), worked at a record distributor, and generally fought the punk wars. Now she is the owner & chief pot washer of Southern.

The Entrance Band

We’re delighted to announce the release of a Latitudes session by The Entrance Band, on 19th March.

This session was recorded just after the band’s appearance at All Tomorrow’s Parties curated by Animal Collective, and the three tracks laid down are absolutely the finest elixir produced by our favourite power trio.  Fluid, emotional and organically multiplying grooves which can only fail to warm the coldest of bones as we follow TEB on a journey through acidified subterranean raga rock, serpent-charming drone, and crunked up psychedelic blues.

Released in an edition of 500 CDs and 500 vinyl only. The vinyl package includes 180gm Continue reading

Mickey Mouse….

Perhaps in response to the Disney-brand shirts “inspired by” Joy Divisions’s album sleeve, some clever clogs fashion hacker has devised a mash-up of Mickey Mouse via the Crass symbol and infiltrated Disney retail outlets by depositing stacks of folded shirts on the shelves.  Bravo.  Or as Crass said in Smash The Mac…. Mickey Mouse, fuck off.

First reported by Tara McGinley on Dangerous Minds.

Exitstencilisms presents Acts Of Love

“Everything that we write is a love song.” - Crass,Yes Sir, I Will

Recorded towards the end of Crass’ seven year social bombardment and previously released in 1985 on vinyl, Acts of Love was Penny Rimbaud’s ‘other voice’. Fifty poems written from 1968 to 1973, set to music – classical, jazz and avant garde – composed by Rimbaud and performed by Eve Libertine.

Penny Rimbaud: “Throughout the late Sixties and early Seventies, I had worked on a series of fifty poems entitled Acts Of Love, an expression of the existential/zen hybrid which to this day remains the core of my philosophical musings. The poems laid out a raison d’être far from the political, psychological and social complexities which later began to engulf me. To counter what had become the darkness of Crass, I felt compelled to return to those poems as a source of light, and further, to make them public. I wanted to the work to be a celebration of the communality of beauty, of a shared purpose within creativity. I was looking for a confirmation of unity, a reclamation of the great romantic tradition, an act of unconditional love.”

Gee Vaucher: “For me, Acts Of Love was the starting point anyway – the poems and the original illustrations were done a long time before Crass.They were part of the inspiration, part of the source of going on to say what we did. For me, it’s a return to those roots – not going backwards, but the source of inspiration within oneself. It’s a very natural extension of what we’ve done with Crass. What we tried to do is remind people of why they were putting themselves in a very dangerous position socially and personally, by making a beautiful record really.”

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