Category Archives: Eve Libertine

Ten Notes On A Summer’s Day

And so we arrive at number six in the series of re-releases of Crass’ now classical albums remastered and with additional related material. This edition includes the original Crass album plus additional tracks featuring Eve Libertine, Hit Parade, A-Soma and Penny Rimbaud, and comes with a specially designed fold-out poster and an illustrated booklet containing lyrics and contextual notes.

Ten Notes on a Summer’s Day – The Swansong.  Recorded at Southern Studios Winter 1984–Summer 1985.

From the liner notes by Penny Rimbaud:

“Just as throughout our seven years’ existence as a punk band we had made concerted efforts to avoid specific political pigeonholing (‘left wing, right wing, you can stuff the lot’), so, musically, we attempted to push the barriers, always avoiding the obvious. In one respect alone we were absolutely consistent; our inconsistency. If the essentially rowdy Feeding of the Five Thousand and Stations Of The Crass had established Continue reading

Exitstencilisms presents Acts Of Love

“Everything that we write is a love song.” – Crass,Yes Sir, I Will

Recorded towards the end of Crass’ seven year social bombardment and previously released in 1985 on vinyl, Acts of Love was Penny Rimbaud’s ‘other voice’. Fifty poems written from 1968 to 1973, set to music – classical, jazz and avant garde – composed by Rimbaud and performed by Eve Libertine.

Penny Rimbaud: “Throughout the late Sixties and early Seventies, I had worked on a series of fifty poems entitled Acts Of Love, an expression of the existential/zen hybrid which to this day remains the core of my philosophical musings. The poems laid out a raison d’être far from the political, psychological and social complexities which later began to engulf me. To counter what had become the darkness of Crass, I felt compelled to return to those poems as a source of light, and further, to make them public. I wanted to the work to be a celebration of the communality of beauty, of a shared purpose within creativity. I was looking for a confirmation of unity, a reclamation of the great romantic tradition, an act of unconditional love.”

Gee Vaucher: “For me, Acts Of Love was the starting point anyway – the poems and the original illustrations were done a long time before Crass.They were part of the inspiration, part of the source of going on to say what we did. For me, it’s a return to those roots – not going backwards, but the source of inspiration within oneself. It’s a very natural extension of what we’ve done with Crass. What we tried to do is remind people of why they were putting themselves in a very dangerous position socially and personally, by making a beautiful record really.”

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Eve Libertine premieres new collaboration with Mark Webber

June 25th sees the world premier of Listen, Little Man!, a new work by legendary punk/jazz chanteuse Eve Libertine and maverick electronic artist Mark Webber. Drawing on the writings and research of Wilhelm Reich this is a semi-improvised performance for voice and signal generators with back-projected, scrolling graphic score.

Libertine was one of the two female vocalists in Crass. Her works with the band include the controversial single “Reality Asylum”, as well as performing most of the vocals on the group’s third album, Penis Envy (1981), the lyrics of which have a heavy feminist content.

After the dissolution of Crass in 1984, Libertine has worked with her guitarist son Nemo Jones, performance artist A-Soma, trained as a classical singer, performed as part of Crass Agenda/Last Amendment with Penny Rimbaud, Matt Black (of Coldcut), Christine Tobin, Julian Siegel, Ingrid Laubrock, Nabil Shaban, Kate Shortt and others. In 2004 Crass Agenda released a recording of Penny Rimbaud’s Savage Utopia, a jazz and breakbeats based composition intended as a critique of consumerism and post-9/11 American culture, on which she performs vocals along with A-Soma and Christine Tobin.

Libertine held her first exhibition of artwork, entitled Head On, at the 96 Gillespie gallery in London in September 2005. She has designed album sleeves for releases by Christine Tobin and Partisans.

Mark Webber (b1965) is an electronic artist who has worked in experimental music, performance and film for the past 25 years. His eclectic back catalogue includes works such as the video portrait Sunayani (Sonic Arts Network), the live tape work Concrète Jungle (Henry Moore Institute) and Four White Walls (Opera North) a chamber opera for five singers and electronics.

Listen, Little Man! is a performance for voice, signal generators and video. Drawing directly on the writings and research of Dr. Wilhelm Reich it represents a new creative partnership between Mark and Eve. The pair are already working on an operatic adaptation of Charlotte Gilman Perkins’ The Yellow Wallpaper for voices, electronics and animation, to be staged late 2011.

LISTEN, LITTLE MAN!
25th June at Les Atelier Claus, Brussels, Belgium
http://www.lesateliersclaus.com/
Based on “Listen Little Man” a book written by Wilhelm Reich in 1945.
Electronics…….. Mark Webber
Voice…………… Eve Libertine

“ONLY YOU YOURSELF CAN BE YOUR LIBERATOR.” W.R.