Consummatum Est

Now that all six of the original Crass albums have been reissued on CD for the Crassical Collection, we are able to fit together the pieces of the puzzle that make up the Crass symbol from the covers.

The symbol is from a photographer of one of Crass drummer Penny Rimbaud’s old bass drum heads.

And if you like, you can also hang it on your wall, by way of a poster designed by the band’s artist Gee Vaucher.

We’d like to thank Crass fan Alan Jones for suggesting it!

Available for pre-order now in the Southern shop.

Thanks.

Ten Notes On A Summer’s Day

And so we arrive at number six in the series of re-releases of Crass’ now classical albums remastered and with additional related material. This edition includes the original Crass album plus additional tracks featuring Eve Libertine, Hit Parade, A-Soma and Penny Rimbaud, and comes with a specially designed fold-out poster and an illustrated booklet containing lyrics and contextual notes.

Ten Notes on a Summer’s Day – The Swansong.  Recorded at Southern Studios Winter 1984–Summer 1985.

From the liner notes by Penny Rimbaud:

“Just as throughout our seven years’ existence as a punk band we had made concerted efforts to avoid specific political pigeonholing (‘left wing, right wing, you can stuff the lot’), so, musically, we attempted to push the barriers, always avoiding the obvious. In one respect alone we were absolutely consistent; our inconsistency. If the essentially rowdy Feeding of the Five Thousand and Stations Of The Crass had established Continue reading