Someday All The Adults Will Die: Punk Graphics 1971-1984, curated by Johan Kugelberg and Jon Savage, provides a comprehensive overview of punk graphic design, highlighting imagery before, during and after the punk years, drawing upon previously unseen public and private archives and collections.
Punk and post-punk graphic design is illuminated by examples of homemade cassettes, fanzines, posters, handbills, records and clothing.
Highlights include original artworks by Gee Vaucher, Jamie Reid, Gary Panter, John Holmstrom and Penny Rimbaud alongside numerous anonymous artists.
The exhibition coincides with the publication of Punk: An Aesthetic by Johan Kugelberg and Jon Savage, published by Rizzoli.
September 13 – November 4, 2012
Hayward Gallery, London
It is a pleasure to announce the second edition of Penny’s deeply profound series of poems from 2005-2007. Published by Bracketpress in association with Exitstencil Press, this issue comes in a sleek 144 page paperback book completely redesigned with a recently added new introduction from Penny Rimbaud.
“Whereas I might once have believed that the poems in this book represented the universal whole, I now consider them at best to be a description of a journey towards it, cartographic works whose value is in their articulation of process. May your journeys bring you to a deeper self.”
– Penny Rimbaud, Spring 2012
A very limited amount available now in our web shop.
“Everything that we write is a love song.” – Crass,Yes Sir, I Will
Recorded towards the end of Crass’ seven year social bombardment and previously released in 1985 on vinyl, Acts of Love was Penny Rimbaud’s ‘other voice’. Fifty poems written from 1968 to 1973, set to music – classical, jazz and avant garde – composed by Rimbaud and performed by Eve Libertine.
Penny Rimbaud: “Throughout the late Sixties and early Seventies, I had worked on a series of fifty poems entitled Acts Of Love, an expression of the existential/zen hybrid which to this day remains the core of my philosophical musings. The poems laid out a raison d’être far from the political, psychological and social complexities which later began to engulf me. To counter what had become the darkness of Crass, I felt compelled to return to those poems as a source of light, and further, to make them public. I wanted to the work to be a celebration of the communality of beauty, of a shared purpose within creativity. I was looking for a confirmation of unity, a reclamation of the great romantic tradition, an act of unconditional love.”
Gee Vaucher: “For me, Acts Of Love was the starting point anyway – the poems and the original illustrations were done a long time before Crass.They were part of the inspiration, part of the source of going on to say what we did. For me, it’s a return to those roots – not going backwards, but the source of inspiration within oneself. It’s a very natural extension of what we’ve done with Crass. What we tried to do is remind people of why they were putting themselves in a very dangerous position socially and personally, by making a beautiful record really.”