The Entrance Band

We’re delighted to announce the release of a Latitudes session by The Entrance Band, on 19th March.

This session was recorded just after the band’s appearance at All Tomorrow’s Parties curated by Animal Collective, and the three tracks laid down are absolutely the finest elixir produced by our favourite power trio.  Fluid, emotional and organically multiplying grooves which can only fail to warm the coldest of bones as we follow TEB on a journey through acidified subterranean raga rock, serpent-charming drone, and crunked up psychedelic blues.

Released in an edition of 500 CDs and 500 vinyl only. The vinyl package includes 180gm Continue reading

Sylvester Anfang II session unveils new Latitudes vinyl packaging.

Taking the Latitudes series to another level,  we are delighted to unveil our new super deluxe vinyl packaging which will debut with the release of Sylvester Anfang II’s session on 13th February.

The Flemish purveyors of psyche-folk laid down their 35 minutes of free-style rock jams in our humble studios in November 2010. These five tracks were extracted from a three-hour jam session; a feat achievable by having a handful of  ideas and a day to explore the deepest recesses of the band’s sound. And the result? Kaleidoscopic noise, droning mantras and freak-folk joy that sweeps you off your feet and leaves you hovering in the ether. With Sylvester Anfang firmly embracing Latitudes’s historical spirit of improvisation and experimentation, it is quite fitting that they should lead away with our new vinyl packaging.

The new sleeve is in two parts and is following the same gorgeous packaging concept created by art director Stephen O’Malley for the CD.  The vinyl package now includes a die cut sleeve “frame” with a card insert screen printed with the same design as the CD.  Also included is a two sided insert with liner notes, recording details and a band photo.

Sylvester Anfang II’s session will be released on CD and 180g white vinyl with hand numbered sleeves, 500 copies of each format. So you’ve been warned, if you happen to be the 501st Latitudes vinyl lover…

Available for pre-order in our web shop now.

Exitstencilisms presents Acts Of Love

“Everything that we write is a love song.” - Crass,Yes Sir, I Will

Recorded towards the end of Crass’ seven year social bombardment and previously released in 1985 on vinyl, Acts of Love was Penny Rimbaud’s ‘other voice’. Fifty poems written from 1968 to 1973, set to music – classical, jazz and avant garde – composed by Rimbaud and performed by Eve Libertine.

Penny Rimbaud: “Throughout the late Sixties and early Seventies, I had worked on a series of fifty poems entitled Acts Of Love, an expression of the existential/zen hybrid which to this day remains the core of my philosophical musings. The poems laid out a raison d’être far from the political, psychological and social complexities which later began to engulf me. To counter what had become the darkness of Crass, I felt compelled to return to those poems as a source of light, and further, to make them public. I wanted to the work to be a celebration of the communality of beauty, of a shared purpose within creativity. I was looking for a confirmation of unity, a reclamation of the great romantic tradition, an act of unconditional love.”

Gee Vaucher: “For me, Acts Of Love was the starting point anyway – the poems and the original illustrations were done a long time before Crass.They were part of the inspiration, part of the source of going on to say what we did. For me, it’s a return to those roots – not going backwards, but the source of inspiration within oneself. It’s a very natural extension of what we’ve done with Crass. What we tried to do is remind people of why they were putting themselves in a very dangerous position socially and personally, by making a beautiful record really.”

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Ancient Canadian punk artefact unearthed!

We here at Southern are proud to announce the unearthing of a rare artefact, the reissue of a long-lost album by the world’s oldest surviving Canadian punk band. Yes, the great-great-great-grandaddies of punk, NoMeansNo, and their stupendous masterpiece Worldhood Of The World (As Such).

The album was discovered in an underwater cave deep in the Canadian wilderness by a Mountie who was looking for some lost children. When he found the boxes containing the masters, the Mountie (not pictured, right) said that he at first believed he had found some unreleased Neil Young tapes. “I could not believe it when I realised they were actually NoMeansNo tapes,” he said, “And I couldn’t wait to tell my mother. She was so proud. She remembers her mother talking about going to actually see NoMeansNo play, back in the day.”

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