And so we arrive at number six in the series of re-releases of Crass’ now classical albums remastered and with additional related material. This edition includes the original Crass album plus additional tracks featuring Eve Libertine, Hit Parade, A-Soma and Penny Rimbaud, and comes with a specially designed fold-out poster and an illustrated booklet containing lyrics and contextual notes.
Ten Notes on a Summer’s Day – The Swansong. Recorded at Southern Studios Winter 1984–Summer 1985.
From the liner notes by Penny Rimbaud:
“Just as throughout our seven years’ existence as a punk band we had made concerted efforts to avoid specific political pigeonholing (‘left wing, right wing, you can stuff the lot’), so, musically, we attempted to push the barriers, always avoiding the obvious. In one respect alone we were absolutely consistent; our inconsistency. If the essentially rowdy Feeding of the Five Thousand and Stations Of The Crass had established Continue reading →
I was really scared at that point. Firstly, I didn’t want to be involved in party politics, but I also felt that if I was becoming too much of a nuisance for the Government, it wouldn’t take too much for me to just disappear one night.
– Steve Ignorant on the events surrounding the release of the Crass single Sheep Farming In The Falklands, The Independent
We’re delighted to announce the release of a Latitudes session by The Entrance Band, on 19th March.
This session was recorded just after the band’s appearance at All Tomorrow’s Parties curated by Animal Collective, and the three tracks laid down are absolutely the finest elixir produced by our favourite power trio. Fluid, emotional and organically multiplying grooves which can only fail to warm the coldest of bones as we follow TEB on a journey through acidified subterranean raga rock, serpent-charming drone, and crunked up psychedelic blues.
Released in an edition of 500 CDs and 500 vinyl only. The vinyl package includes 180gm Continue reading →