Recorded in August 2007 at Southern Studios, engineered by Harvey Birrell. Limited pressing of 1000 hand-numbered, rubber stamped CDs and 1000 vinyl (700 black, 300 white).
Gang Gang Dance define the ultimate ‘world music’ for the now, and possibly for an unknown tomorrow. Utilizing avant garde sensibilities and cut-and-paste assemblies, they approach music as pure sound. Lizzie Bougatsos’ vocals are often non-verbal communications – words as sound rather than any immediate apparent linear meaning or message.
As interest grows in the indigenous music of many cultures of the Far and Middle East, especially in hybridized fusions of the familiar Western forms with local historical folk forms, so Gang Gang Dance are the logical product of an outward looking NYC in the global age: Middle Eastern percussion and keyboard stabs collide with Far Eastern instrumentation, and elements of Western pop and dance. The inclusion of grime and dubstep elements are of particular interest here since Gang Gang Dance are approaching these genres, familiar to anyone in the UK, from the position of outsiders, and thus treating these genres as indigenous folk music, as exotic as gamelan or throat singing to anyone who has not heard them. The polyrhythms and vocal styling of these British urban genres stands here as another part of Gang Gang Dance’s vision of music in the 21st century, combining the musical idioms of the world we inhabit to create music that suggests a world we have yet to discover.
In many ways this recording, tracked prior to the release of the ‘St. Dymphna’ album bridges the gap between the rawer, almost cut-up approach to their earlier albums and their more polished and highly-evolved present sound.
– Andrew Hartwell
In September 2009, the prolific duo made their way to Southern Studios to record their spontaneous session for our Latitudes series. The result was Sky Burial, two lengthy slabs of crushing yet ethereal instrumental material. Limited to 1000 vinyl and 1000 hand-numbered, rubber stamped CDs.
Having been an enormous fan of Nadja for the past couple of years, when I was given the chance to approach an artist for the Latitudes series, they were a complete no-brainer. Their highly unique strain of doom-infused shoegaze sends shivers throughout my body whenever I’ve seen them live, and this was a perfect chance to be able to capture that magic in the legendary Southern Studios.
After first approaching them in February 2009, we finally managed to make it happen the following September, and I’ve never experienced a smoother and simpler sessions than this. Crafting two lengthy slabs of crushing yet ethereal instrumental material, Aidan and Leah have once again upped my expectations of them. Seeing them play live the following night, where they gave one of these tracks an airing, was an inspiring experience in itself and the article you hold here is about as close as you’re going to get to the all-encompassing and trance-like beauty of seeing them play in front of you. If this is anything to go by, then there is plenty more special music to come from this talented duo and it has been a pleasure to have them be a part of the Latitudes series.